Hidden Gem English Karaoke Songs : for High Notes

Less Known English Karaoke Songs for High Notes

Find Great Songs for Voice Work

Less known karaoke songs grow your voice while taking on hard high notes. These picked songs give new ways for better voice work and skill growth. https://maxpixels.net/

Key Songs for Voice Range Work

“Forever Young” is a good start to work on your mix of head and chest voice, giving good control on long high parts. The tune helps singers learn key voice mix moves.

“Bette Davis Eyes” gives good chances for breath hold work with its sharp parts. You need good air control and steady breath power to sing it right.

Next Level Voice Skill Songs

“Corpus Christi Carol” is a lesson in smooth voice moves, needing good voice place and soft voice changes. This old-style song makes singers keep a clear sound across their range.

“My Medea” has hard jumps between notes that make your voice fast and spot-on. Its strong tune lines need great control over quick voice moves and loudness changes.

Skills to Nail These Songs

To master these songs, look at:

  • Changing how you say vowels in high parts
  • Keeping your voice box in a good spot for best sound
  • Using voice muscles well for spot-on pitch
  • Holding your breath steady through tough parts

These strong voice songs are better for practice than normal karaoke songs, showing top singers ways to really grow their skills.

Not Well-Known Rock Power Songs

Songs You Don’t Know by Heart: Vital Voice Work Songs

High Note Rock Songs for Voice Work

“We’re Not Gonna Take It” by Twisted Sister is a top song for working on head voice control.

This song asks for strong power in the G4-A4 range, and helps practice voice mix moves in bridge parts. Its setup mixes hard parts with catchy tunes.

Next-Level Tunes for Voice Control

“Carry On Wayward Son” by Kansas is a lesson in moving through hard voice changes.

This rock hit targets the key voice change between chest and head voice from E4-G4, with parts before the chorus that need top pitch rightness and strong use of the breath muscle.

Big High Parts and Long Notes

“More Than a Feeling” by Boston tests you with long notes in the tight B4-C5 range. This song needs top soft parts in the mouth and right air flow to sound its best.

“Heartbreaker” by Pat Benatar is great for mix voice work, mainly in the high voice change area from F#4 to A4, perfect for high long note skills.

Key Gains for Voice Work

  • Better high voice moves
  • Stronger high range hold
  • Better tone evenness
  • Stronger mix voice skill
  • Long high note hold

These rock big-hits give full voice work while keeping true show style, laying down main ways to grow voice moves.

Forgotten Pop Voice Tests

Working On Forgotten Pop Voice Tests from the 1980s

Hidden Voice Skills in Old Pop Songs

Old but gold pop hits from the 1980s have hard voice moves that new singers don’t often try.

“Forever Young” by Alphaville needs next-level voice skills, mainly in its going-up chorus parts that need good control of the mix of head and chest voice.

Next-Level Breath Hold and Voice Moves

“Bette Davis Eyes” by Kim Carnes shows top breath hold skills in sharp verses and long bridge parts. The unique rough sound grows control of the false voice cords while keeping the voice healthy.

“Lessons in Love” by Level 42 tests singers with quick voice changes while keeping words clear.

Mix Voice Work and Long Holds

“Self Control” by Laura Branigan is a deep study in mix voice skill, with hard tune runs that need smooth voice moves. The chorus targets voice muscle control with high long notes.

“Your Love” by The Outfield mixes quick tune jumps with long parts, building full breath hold and voice box steadiness.

Key Voice Work Points:

  • Head voice-chest voice mixing
  • Breath hold and control
  • Smooth voice moves
  • Long note hold
  • Clear saying of words

Alternative Indie High Notes

Working On Alternative Indie High Notes: Needed Voice Skills

Next-Level Breath Hold for Indie Voices

Breath hold and muscle work between the ribs are key for big high notes in alternative indie music.

When trying songs like “Wake Up” by Arcade Fire or “Skinny Love” by Bon Iver, right breathing sets up voice wins.

Best Voice Form

Keep a wide throat shape while your tongue stays easy and up front to hit real indie voice sounds. This form lets you:

  • Keep top sound
  • Cut voice strain
  • Make clear tones
  • Move through high notes with no hard work

Key Tweaks for Indie Voice Jumps

Look at these main points to nail known indie voice patterns:

  • Controlled breathing from the diaphragm
  • Good voice box place
  • Steady air flow keep
  • Smart vowel changes

These polished moves make sure both voice health and sound quality stay good during hard alternative indie shows.

Classic Voice Range Displays

Working On Classic Voice Range Displays: A How-To

Needed High-Register Voice Songs

Famous voice masterpieces are top tools for growing next-level singing skills.

“Vision of Love” by Mariah Carey is a leading exercise for nailing mix voice control and voice moves.

The song’s planned tune lines boost voice control, mainly in the key E4 to A5 range, making it key for voice work.

Next-Level Big Voice Moves

“I Will Always Love You” by Whitney Houston is the top model for pro big voice move work.

The big high parts ask for right muscle work between the ribs and fine under-voice air control.

Keeping a big space in the throat is key when the song shifts key.

Top Male High-Register Work

“Don’t Stop Believin'” by Journey shows top high-register voice work through Steve Perry’s well-placed head voice.

The held high G5 parts need top diaphragm hold and good voice box spot, making it a must-practice for male singers.

How to Do Well

Good show of these voice range songs needs:

  • Right warm-ups that wake up voice muscles
  • Steady voice fold closing through hard parts
  • Smart breath hold use
  • Right voice moves
  • Best sound place across many voice ranges

These main pieces give full voice work, making both skill and show power better.

Under-known Ballad Big Voices

Under-known Ballad Big Voice Moves: Deep Voice Work Guide

Less Known Gems for Voice Tops

Under-known ballad big voices open new ways for top voice moves past usual songs.

These less known strong ballads have hard voice parts that target head voice work and mix register moves.

Needed Under-known Ballads for Skill Growth

“Corpus Christi Carol” by Jeff Buckley asks for right smooth voice moves and long notes in high parts.

“My Medea” by Vienna Teng has hard note jumps that help voice speed while keeping the voice box in a good spot.

Next-Level Register Work

To nail chest-mix voice work, “Sweet Love” by Anita Baker needs fine control of under-voice air through its hard tune parts.

“The Man with the Child in His Eyes” by Kate Bush puts singers to the test with top breath hold needs while moving through soft head voice parts.

Key Gains and Uses

These under-known picks deliver better voice work gains than well-known ones, mainly for:

  • Mastering voice moves
  • Better sound places
  • Top breath hold
  • Wider sound ranges
  • Precise voice spots

The hard parts in these songs give focused work for growing wide voice skills across many registers.

Big Show Voice Climbers

Big Show Voice Climbers: Power Voice Master Guide

Knowing Voice Climbers

Voice climbers show strong going-up tune moves that show a singer’s full voice range.

These hard tunes need planned voice work and careful getting ready to do well while keeping the voice safe.

Building Voice Force

Building voice power needs mastering voice moves and growing good breath hold.

Key voice climbers like “All By Myself” by Celine Dion and “I Will Always Love You” by Whitney Houston show great step-by-step voice growth, letting smooth voice box moves through each voice change.

Smart Song Picking

Start Level

“Take On Me” by a-ha is a great first step for working on mix voice moves. This famous track helps singers master voice muscles during hard high-note parts.

Top Level

“Stone Cold” by Demi Lovato sets up hard voice tests, needing:

  • Long hold on high parts
  • Better muscle work between the ribs
  • Right soft parts in the mouth
  • Great breath use

Getting Ready for Shows

Make the most of your show through:

Focus on slowly growing your range while keeping good moves through hard high climbs to make sure your voice lasts and does well in shows.